Welcome to Doha: 8 contemporary architectures in Qatar’s capital city

Museum of Islamic Art by I.M. Pei - Photo Courtesy of the museum.

From futuristic skyscrapers to stunning libraries and magnificent museums. Architecturally speaking, Doha is future-driven. Discover the Gulf metropolis’ best contemporary buildings by Jean Nouvel, OMA, I.M. Pei, and more.

David Adjaye’s Abrahamic Family House features multi-faith temples “with powerful plutonic forms”

The Abrahamic Family House - Courtesy of Adjaye Associates

A mosque, a church, a synagogue and a secular visitor pavilion welcome visitors of all faiths at The Abrahamic Family House, an inter religious complex designed as a platform for understanding and coexistence between Muslims, Christians and Jews.

IN STATU QUO: Israel Pavilion’s exhibition at Venice Biennale 2018 unravels the Geopolitics of Holy Spaces

In statu quo: structures of negotiation: Israel Pavilion @ Venice Biennale 2018 - Photo by Italo Rondinella courtesy of La Biennale di Venezia.

The busy timetable of functions of the many Christian communities sharing the Holy Sepulchre, visionary and never-realized masterplans for the Western Wall Plaza and the unique routines of a site switching from mosque to Jewish worshipping venue within 24 hours. The In Statu Quo exhibition at Israel Pavilion at Venice Biennale 2018 shows the fragile system of co-existence of 5 iconic holy sites.

Holy, holistic, resilient, rebellious and on-the-border: 5 recurring keywords at Venice Biennale 2018

Nordic Pavilion - Photography is by Andrea Ferro. Courtesy of La Biennale di Venezia.

5 recurring keywords at Venice Biennale 2018. National pavilions respond to to the FREESPACE main theme with visionary masterplans for Jerusalem Western Wall, a Trump defying US-Mexico border, the millennials’ occupation of Budapest’s Liberty bridge and more…

Credenza: Spazio Pontaccio presents Patricia Urquiola’s church inspired designs

Credenza collection by Patricia Urquiola and Federico Pepe for Spazio Pontaccio

Patricia Urquiola and Federico Pepe created a collection cabinets and room-dividers for Spazio Pontaccio taking inspiration from churches stained glass starting from the Italian word “credenza” that means both “faith / belief” and “cabinet”.