NOSIGNER™ designs “Amorphous” installation for Asahi Glass Company: thousands of suspended fragments highlight the cutting-edge features of smartphones’ ultimate high-tech glass.
Minimal and simple home collection by Iittala with fashion designer Issey Miyake highlights Japan and Finland increasingly similar aesthetics.
The Campana brothers design LASVIT Candy collection: sweet tooth chandeliers and a lollypop-ish table lamp tease the palate… But beware, it’s made of blown-glass.
Bottle Up: in Zanzibar, young designers up-cycle glass waste produced by increasing tourism into a collection of responsible design accessories.
Smooth geometries meet quirky glass creatures. In Milan, Paola C. launches Table Joy tableware collections by Aldo and Matteo Cibic: uncle and nephew exchange thier views on design.
In Milan, AGC showcases a mesmerizing installation featuring high-tech glass panels with an innovative technology that allows to capture projected videos and display see-through moving images.
HopLow & Family blown-glass table lamps by QUarch Atelier are crafted by Venician artisans and inspired by woodlands’ creatures.
Japanese designer Jun Murakoshi presented BLOOM a delightful collection of vases that plays with a warm tension between blown-glass and cotton thread.
With Creation of a strange Symphony, young designer Philipp Weber presented a synestetic design project that mixes design and music with a performance of a glassblower using a new and unusual tool.
Japanese design studio Nendo managed to work glass like it was a patchwork quilt.
Arik Levy’s combines thin colorful glass blowing techniques with color mixing and creates Jar RGB design lighting for Lasvit.
With the Flask Vase, Flask Light and Dewar Light, young Dutch designer David Derksen payed omage to the work of XIX century phisician James Dewar who was in search of the absolute zero temperature point.
