"Production Route" exhibition. Courtesy of Tel Aviv Art Museum.

“Production Route” exhibition. Courtesy of Tel Aviv Museum of Art.

The Production Routes exhibition at Tel Aviv Museum of Art explores how the production and worldwide circulation of prefabricated concrete panels patented between 1931 and 1981 transformed utopian modernist dreams in social and individual flattening. The featured films and models portray the ambivalence of modern housing projects, which aimed to promote equality while they actually reduced life forms to an assembly line. Production Routes is open until the 2nd of May 2015.

Still from Amie Siegel “The Architects”, 2014. HD video, color, sound - 33 minutes. Image courtesy the artist and Simon Preston Gallery, New York. Commissioned by Storefront for Art and Architecture

Still from Amie Siegel “The Architects”, 2014. HD video, color, sound – 33 minutes. Image courtesy the artist and Simon Preston Gallery, New York. Commissioned by Storefront for Art and Architecture

The short movie “The Architects” by Amie Siegel shows several offices of NYC architecture practices in a silent slow-motion panoramic. The artist points out the timeless and alienating enviroment of contemporary architecture working spaces.

"Production Route" at Tel Aviv Museum of Art. Photo by Enrico Zilli.

“Production Route” at Tel Aviv Museum of Art. Photo by Enrico Zilli.

From Siegel “disinterested gaze” the exhibition lead to Pedro Alonso and Hugo Palmarola study that maps and showcases 28 3D printed models of prefabricated modernist buildings that were conceived and marketed worldwide between the 30s and the 80s.

"Production Route" at Tel Aviv Museum of Art. Photo by Enrico Zilli.

“Production Route” at Tel Aviv Museum of Art. Photo by Enrico Zilli.


RELATED STORY: Chile Pavilion at Venice Architecture Biennale 2014 is centred around a standing isolated large-concrete panel as a symbol of the country political history and as the housestock unit representing the absorption of modernity in the past 100 years.

Chile Pavilion "Monolith Controversies" - Photo by Gonzalo Puga.

Chile Pavilion “Monolith Controversies” – Photo by Gonzalo Puga.


Production Routes exhibition is completed by two movies. The documentary by Teri Wehn Damisch and Jean-Louis Cohen explores the hopes tied to architectural modernism in France, the illusions to which it gave rise, and their subsequent rupturing.

Still from film Mon Oncle 1958 director Jacques Tati - © Les Films de Mon oncle – Specta Films CEPEC in Modernity, Promise or Menace?, 2014. A film by Teri Wehn Damisch and Jean-Louis Cohen, 17:08 min.

Still from film Mon Oncle 1958 director Jacques Tati – © Les Films de Mon oncle – Specta Films CEPEC in Modernity, Promise or Menace?, 2014. A film by Teri Wehn Damisch and Jean-Louis Cohen, 17:08 min.

Stephan Trüby presents an interview with Friedrich Mielke who developed an esoteric “science of stairs” and explores the social history of stairs and the relations between people and stairs.

Still from film Friedrich Mielke: Discipline and Passion, the Science of Stairs, 2014 by Stephan Trüby, 50:00 min.

Still from film Friedrich Mielke: Discipline and Passion, the Science of Stairs, 2014 by Stephan Trüby,

Tel Aviv Museum of Art is one of Israel’s leading artistic and cultural institutions and comprises various departments dedicated to modern and contemporary local art, photography, architecture & design and the Old Masters Department featuring with art from the 16th to the 19th century. In addition to its extensive program of permanent and changing exhibitions, the museum offers a vibrant selection of programs and activities for adults, youth and children: concerts, classes, lectures, guided tours, workshops, and more.

Tel Aviv Art Museum , Preston Scott Cohen. Photo by Enrico Zilli

Tel Aviv Art Museum , Preston Scott Cohen. Photo by Enrico Zilli