Monica Spezia captures the making of Salone del Mobile

The world’s most important design fair is about to kick off. Photographer Monica Spezia has captured the making of Salone del Mobile.

The world’s most important design fair is about to kick off. Photographer Monica Spezia has captured the making of Salone del Mobile.

At first glance, they recall cavernous tunnels, monolithic temples, cathedral-like halls, or empty distilleries. They are the unseen interiors of musical instruments, captured by Charles Brooks for his ongoing project Architecture in Music.

Living Divani Gallery presents SOLILOQUI: MILANO, an exhibition by artist Gianluca Vassallo capturing the city’s dynamic urbanscape and featuring Living Divani’s FROG chairs as a pivotal narrative point of connection between people.

For the Stockholm Metro photo essay, young German photographer David Altrath roamed for several nights the empty stations of the “world‘s longest art gallery” in the belly of the Swedish capital.

Tokyo’s populated office blocks, spiraling observation towers from above and clever reflections at the Victoria & Albert Museum in London are among 24 finalists for The Architectural Photography Awards 2019.

Digital technologies are shaping the way we read the news as well as the spaces where the news are written. Rem Koolhaas’ OMA has almost completed the media campus for the publishing company Axel Springer; the building reflects the sector’s print-digital transition and aims to “absorb the question marks of the digital future”.

World Architecture Festival announces the 20 finalists for The Architectural Photography Awards 2018 including images of The Hive at Kew Gardens, Milan Duomo, Asif Khan’s pitch black pavilion for the PyeongChang winter Olympics and Foster + Partners’ Bloomberg headquarters in London.

Australian photographer Tom Blachford explores Tokyo’s Blade Runner-style architecture portraying iconic buildings by Kenzo Tange, Kisho Kirosawa and more…

Fragments of Justice photo-essay by photographer and filmaker Luca Sironi portrays the austere architecture of empty Italian courthouses once the legislative performance and human drama leave space to a timeless silence.