From a playful puzzle tower in Albania to a sky temple of travel in Bhutan and an ‘architecture of generosity’ in Vietnam, we’ve selected ten Future Projects shortlisted for the World Architecture Festival.
The Artificial Intelligence section of Carlo Ratti’s Biennale shows how technology is shaping the world around us—from the spaces we live in to the systems that keep society running.
WAFX 2023 Prize: sandstorm absorbent skyscrapers, a project rethinking oil rigs in a sustainable perspective, rainwater-harvesting cooling facades, and more.
Canyon-like spaces surround visitors of the Richard Gilder Center for Science, Education, and Innovation in Manhattan.
Located in Hong Kong’s West Kowloon Cultural District on the Victoria Harbour waterfront, the M+ Museum building comprises a semi-transparent tower housing a research center, shops, and restaurants which intersects a horizontal slab filled with exhibition galleries. The museum is set to open at the end of 2021.
Self driving cars, internet of things, social media and sharing economy. How will the city of tomorrow look like? THE ROAD AHEAD exhibition at the Cooper Hewitt Smithsonian Design Museum showcases visions ready to make a blast in the very next future.
London Design Festival teamed up with Waugh Thistleton Architects, to create MULTIPLY, a sustainable installation encouraging visitors to re-think the way homes and cities are designed and built.
A modular architectural pavilion and a multi-sensory design installation merging classical music with design… 5 exhibitions at Victoria & Albert Museum during London Design Festival 2018.
Venice Biennale 2018 – While the Robin Hood Gardens in London are being demolished, 4 other Brutalist buildings screaming for justice show that even concrete giants have ha chance to redeem.
The Victoria & Albert Museum saved a large part of the iconic Robin Hood Gardens from bulldozers and re-assembled it at Venice Biennale 2018 as part of a contested exhibition about the Brutalist building which many have have praised while others have described as “a failed social experiment of inhuman Modernism, not to be funded with public money”.
British studio Alison Brooks Architects designed The Smile, a habitable rectangular mega-tube bent in the shape of an upside down arch.
